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Some of the highlights on our guest list: Uli Hanisch (BABYLON Berlin, 2017), Hans-Christian Schmid and Julia Jentsch (DAS VERSCHWINDEN /THE VANISHING, 2017), Hanno Hackfort, Richard Kropf and Bob Konrad (4 BLOCKS, 2016), Christian Schwochow, Oliver Kienle, Jana Burbach, Jan Galli (BAD BANKS, 2017), as well as Jan Bonny and Alex Wissel (ÜBER BARBAROSSAPLATZ /ABOVE BARBAROSSAPLATZ, 2016). Further information here The moment you’ve all been waiting for! - Last chance to upload application and materials You can find further information on the application process here Link Good luck to all applicants!

Application forms for the 2018/19 academic year are now available online; please use this linkto register and upload your application and further material. Prospective students can find out more about application requirements and courses at the DFFB in a series of study advisory sessions on 7th October 2017 (from 11.00 to 18.00).

Initiated in 2011 and awarded every two years by the Friends of the National Gallery Association and the GERMAN FILM ACADEMY, the prize aims to draw new audiences to works of film art and to focus attention on interactions between the asethetics of art and of film. Source: Deutsche Filmakademie LOMO – The Language of Many Others (Director: Julia Langhof, Screenplay: Thomas Gerhold, Julia Langhof, Cinematography: Michal Grabowski, Production: Eva Kemme, Martin Heisler) won two prizes last night at the FIRST STEPS AWARD 2017.

Actor Jonas Dassler won the Götz George Young Talents Award for his lead role in LOMO.

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Filmfestival Max Ophüls Preis Im Wettbewerb für mittellange Filme wird FREMDE (R: Tim Dünschede, B: Marc Vogel, K: Holger Jungnickel, P: Patrick Schorn) seine Weltpremiere freiern.

And Liebes Ich / Dear Me (Director / Screenplay: Luise Makarov, Cinematography: Luise Makarov, Production: Jonas Rothlaender) is in the running for the Documentary Film Prize, which is endowed with 12,000 Euro prize money.As well as presentations of the sound studios, we’ll be showcasing our modern postproduction suite, which enables us to work on all filmmaking steps in-house, from initial filming to the digital print.Our cinematography students will be presenting further technical highlights, and demonstrating some of the DFFB’s camera and lighting equipment.For those who want to study at DFFB from the next year onwards: Due to technical problems we will extend the deadline for the online registration until this Wednesday, Dec. In SERIAL GERMANY, the Deutsche Film- und Fernsehakademie Berlin (dffb), in conjunction with its post-graduate programme Serial Eyes and the Filmnetzwerk Berlin, seeks to enter into dialogue with key players in more current productions.The issues to be explored include production conditions, the role of the “American model” but also the aesthetic and societal significance of serial-format storytelling.

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